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在潘子申的工作中,最主要的意象是由那些被取作药用来为人类治疗的花草所制造的。根茎花实清晰温润,仔细分辨亦繁茂锋芒;作品所及,苗皮骨肉,映照的切切实实总是回归到人的个体。作为一种使人身心健全的媒介与路径,无论是相须相使或是相畏相杀,其中的运转并不完全仰赖于基于化学成分的唯物主义或是分毫不差的实证主义。相较于现代科学生产体系下极简寡白的片剂,关于草药嵇康有云:“合欢蠲忿,萱草忘忧,愚智所共知也。”
In the work of Pan Zishen, the chief image is made of flowers that have been taken as medicinal herbs for human treatment. Rhizome flower is clear and moist, carefully distinguish also prosperous edge; works, skin and flesh, reflected the image of the real return to the individual. As a media and path that makes people physically and mentally sound, alienation or intimidation, the operation of which is not entirely dependent on the chemical composition or the positivistic positivism. Compared to the minimalist and white tablet under the modern scientific system of production, there are many things about herbal medicine: "Acacia grits,