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近几十年,一大批音乐工作者陆续深入到羌寨中,用自己所掌握的音乐知识,不辞辛劳搜集并记录着羌族音乐的点点滴滴。笔者通过对自己收集到的民歌进行整理分析,发现羌族民歌的结构特征主要是在规模上相比短小,分句较为自由,且句与句之间常体现为不对称的非方整性结构;延续时间较长的分节歌,也主要是将结构相同的几段歌词用相同的旋律演唱,偶尔会出现在某些段落局部处理上的细微变化处理,但大致结构与主要旋律线条均以原样重复为主。本文通过结合几部当代羌族声乐作品,以求寻找到这些作品的结构特征。
In recent decades, a large number of music workers gradually went deep into Qiangzhai and used their knowledge of music to work hard to collect and record bit by bit the Qiang music. By analyzing the collected folk songs, the author finds that the structural features of the Qiang folk songs are mainly short in scale, relatively free in clauses, and the non-square structure often appears between the sentence and the sentence. The continuation of longer sections of the song, but also mainly the same structure of the lyrics with the same melody, and occasionally appear in some paragraphs of the local processing subtle changes in processing, but the general structure and the main melody lines are the same Repeat mainly. In this paper, by combining several contemporary Qiang vocal music works, in order to find the structural features of these works.