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从美学史和艺术史的考察可以发现 ,在整个西方艺术史上 ,艺术惯例发生过几次大的突变 ,以至于用传统的“美”和“审美”的概念已经完全不能概括整个现代艺术的功能特点了。在面对艺术功能发展的不平衡性及艺术功能模式的现代转换时 ,美学似乎成了第一个 ,也是最大的牺牲品。现代美学的转型过程造成了美学的危机。美学危机的两个重要表征 ,即美学研究对象的泛化及术语使用上的混乱都出现了
From the study of the history of aesthetics and art history, we can find that there have been several major changes in artistic practice throughout western art history, so that the concept of traditional “beauty” and “aesthetic” can no longer generalize the function of the whole modern art Features. Aesthetics seems to be the first and largest victim in the face of the modern transformation of the unbalanced development of artistic functions and the mode of artistic functions. The transformation process of modern aesthetics has caused the aesthetic crisis. Two important representations of the aesthetic crisis, that is, the generalization of subjects of aesthetics and the confusion in the use of terminology