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传统著作者对于诗词格律的介绍,都将近体诗的不同体式作为基本元素,就首句平仄起收不同分别作以介绍,并将其中格律的变化部分称之为“拗救”。这类著作让读者陷入格律的重峦叠嶂中,反而阻碍了格律的普及和推广。罗辉先生在其著作《诗词格律与创作》中将律诗的四种句型作为基本元素简约地介绍其变化。由于律诗实际上只是这四种句型的轮转,这就使得爱好者掌握了格律的法门。同时作者在诗词创作技法上提出了“有形、有则、有魂”的“三有”原则,从而在创作的形式和内容两方面为诗词爱好者指明了学习和努力的具体方向。
The traditional author’s introduction to the metrical style of the poem all takes the different style of the near-body poem as the basic element, introduces the different meanings of the first sentence and introduces the change part of the metrical pattern as the “remedy”. This kind of book puts the reader in the heavy chasm of the law, but impedes the popularization and promotion of the law. In his book “Poetic Rules and Creation”, Mr. Luo Hui briefs his changes on the four patterns of legal poems as basic elements. As the law of poetry is actually just the rotation of the four sentence patterns, which makes lovers mastered the law of the law. At the same time, the author put forward the principle of “three ” “tangible, there is a soul, ” in the technique of poetry creation, so that poetry enthusiasts pointed out the specific direction of learning and hard work in the form and content of creation. .