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敦煌吐蕃壁画指唐建中二年(781年)至大中二年(848年)间吐蕃统治敦煌时期在莫高窟干佛洞和安西榆林窟创作的壁画。吐蕃自7世纪初正式从尼泊尔、印度和唐朝大规模引进佛教后,予以大力扶持,到墀松德赞时期进一步提升佛教的地位,实行七户养僧制,使佛教在吐蕃社会得到广泛的传播。唐建中二年(781年)吐蕃占领敦煌后,也在这一地区弘扬佛教,广建寺院,缮写翻译佛经,建立佛学闻思修制度,在莫高窟和榆林窟绘制佛教壁画,使敦煌成为吐蕃东北部的一大佛教文化中心。敦煌莫
Dunhuang Tubo Murals refer to the murals created in the Tang Dynasty and the Mogao Grottoes at Dunhuang during Mogao Grottoes and Yulin Yulin Grottoes during the second (781) to mid-two years (848) years of the Tang Dynasty. Since the formal introduction of Buddhism from Nepal, India and the Tang Dynasty by Nepal, India and the Tang Dynasty in the early 7th century, Tubo vigorously supported and further promoted the status of Buddhism by the end of the Song Dynasty period. Seven Tibetan monks were introduced to make Buddhism widely available in Tubo society spread. After the Tubo occupation of Dunhuang in the second year of Tang Dynasty (781 years), Tang Jianzhong also carried forward Buddhism, Guang’an Monastery, translating Buddhist scriptures, establishing a Buddhism Sutra system and painting Buddhist murals at Mogao Grottoes and Yulin Grottoes to make Dunhuang Tibet A big Buddhist cultural center in the northeast. Dunhuang Mo