自屈原楚辞开始,“美人”兴寄在中国古典诗歌中形成深远传统。“美人”兴寄甚至用于文人的现实交际,表达一种难以直言的情感,往往可以收到非同寻常的沟通效果,此种现象值得深思。女性作为象征符号一旦形成传统,必将影响到文学的创作和过度阐释。“美人”是中国古代诗歌中的常见意象。从屈原楚辞开始,“美人”意象常常和比兴寄托联系在一起。建安时期,曹丕、曹植、徐干等诗人都有不少女性题材的诗歌,曹植更是有意识地继承和发展了屈原《离骚》把女性置于喻体地位 Qu Yuan Chu since the beginning of the song, “beauty ” Xing send classical Chinese poetry in the formation of a far-reaching tradition. “Beauty ” Xing send even used for the literati’s real communication, express a kind of hard to blunt emotion, often can receive unusual communication effect, this kind of phenomenon is worth pondering. As a symbol of women once formed a tradition, will certainly affect the literary creation and over-interpretation. “Beauty ” is a common image in ancient Chinese poetry. Beginning with Qu Yuan Chu Ci, “Beauty ” image is often associated with Hing Piao. During the Jian’an period, many poets, such as Cao Pi, Cao Zhi and Xu Gan, had many female poems. Cao Zhi even consciously inherited and developed Qu Yuan’s “Li Sao”