近年来,我国少数民族音乐强究水平、有关资料的收集采编、思路的转移重建等方面都有了明显的提高和进展。但随之而来的出现了一系列新的问题,如带有狭隘倾向性的偏见、无条件地把不同种的文化结果放在一起进行理论参照和价值比较,研究本身缺乏清晰的面目等等,总之,在具体实践与理论观念之间出现了一些“误区”与“错位”现象。为此,本文认为有必要进行一番理论 In recent years, there has been a marked improvement and progress in enhancing the level of music study of ethnic minorities in our country, gathering and editing relevant information, and transferring and reconstructing ideas. However, a series of new problems have emerged, such as narrow prejudices, unconditional cultural results together for theoretical reference and value comparison, the lack of a clear picture of the study itself, etc., In short, there have been some “errors” and “dislocation” phenomena between concrete practice and theoretical concepts. For this reason, this article thinks it is necessary to carry on some theories