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风起于青萍之末。每一次艺术品金融化的脚步都是在路上。价值波动较大、变现能力较差,日拱一卒能够累积起一个伟大的起点?黑暗中的摸索能否开创一个光明的未来?中央财经大学文化经济研究院院长魏鹏举为此精妙解析。一种畸形繁荣:既前现代又后现代《艺术品鉴》:您如何看待当前的中国艺术品金融化的现状?魏鹏举:中国的艺术品金融化呈现出前现代与后现代相结合的特点。相比于国际上较为
Wind at the end of Qing Ping. Every step of financial art is on the way. The value of volatility larger, less able to cash, the arch can accumulate a great starting point? Whether the dark groping can create a bright future? Central University of Finance and Economics Dean Wei Pengju exquisite analysis for this. A Deformity and Prosperity: Pre-modern and Postmodern Art Tasting: How Do You Think about the Present Situation of the Financialization of Chinese Art? Wei Pengju: China’s art financialization has the characteristics of a combination of pre-modernity and post-modernity. Compared to the international is more