钢琴伴奏是一门独特的表演艺术,而艺术歌曲的钢琴伴奏更是艺术歌曲创作及表现不可或缺的一个重要组成部分。艺术歌曲的演唱者与钢琴伴奏者二者是相畏相成的,作为一个艺术整体,它们的关系犹如鱼水,相依共存,好似日月,互映生辉。艺术歌曲的钢琴伴奏,随着艺术歌曲本身的发展经历了一条由简到繁,由幼稚到成熟的过程。他们的发展是相偎相成、相得益彰的。这一过程不仅体现了艺术歌曲创作的日趋完善,更折射了钢琴音乐创作水平的提高。虽然现在在国内外对艺术歌曲钢琴伴奏论述文章较多,且学术意义都不菲,然而本文力图在前贤史哲研究成果基础上,从艺术歌曲的发展流变,及和钢琴伴奏的关系变更阐述起,通过选择些许较具有代表性的伴奏作品,针对具体曲式分析、弹奏技术、情绪把握、情感表达、与演唱者的配合等方面进行了细致的分析与探究,力图从这种全新的角度来进一步阐释钢琴伴奏在艺术歌曲中的重大意义与作用。随着时代的进步,专业的高度分工。人们的欣赏水平的空前提高,钢琴和声乐艺术表现的日益丰富。钢琴伴奏从只起辅助歌曲旋律或和声背景作用的陈旧模式,发展为即加强和泻染歌曲的表现力和感染力又超越旋律起不到的作用的崭新模式。钢琴伴奏在艺术歌曲表现过程中即独立又统一,独立于歌声不易描绘的艺术形象,统一于二者水乳交融,完美配合,共同完成对歌曲的演绎与阐释。总之,无论钢琴伴奏怎么发展,其都作为艺术歌曲不可分割的重要组成部分。 Piano accompaniment is a unique performance art, and the piano accompaniment of art songs is an indispensable part of art song creation and performance. Art singers and piano accompanists are in intimidation. As an artistic whole, their relationship is like fish and water, coexisting like each other, like the sun and the moon. Piano accompaniment of art songs, with the development of art songs itself experienced a simple to complex, from naive to mature process. Their development is together, complement each other. This process not only reflects the increasingly perfect creation of artistic songs, but also reflects the improvement of piano music creation. Although there are many articles on piano accompaniment of art songs both at home and abroad, and the academic significance is not high, this article attempts to explain the changes of the development of artistic songs and the relationship with the piano accompaniment based on the research achievements of the predecessors. From the selection of some representative accompaniment works, the author has conducted detailed analysis and exploration on specific forms of music analysis, playing techniques, emotional control, emotional expression and collaboration with singers, Point of view to further explain the piano accompaniment in the artistic songs of great significance and role. With the progress of the times, a high degree of professional division of labor. People enjoy an unprecedented level of appreciation, piano and vocal art performance is increasingly rich. Piano accompaniment evolved from an old model that acted as a supplementary song or harmony background to a brand new model of enhancing and purifying the expressiveness and appeal of the song beyond the melody’s ineffectiveness. Piano accompaniment is independent and unified in the performance of artistic songs. It is independent of the artistic image that is difficult to depict in the singing voice. The unity of the piano accompaniment perfectly completes the deduction and interpretation of the songs. In short, no matter how the piano accompaniment develops, they all serve as an integral part of the art song.