中国的现代派文学是在西方现代主义直接影响下产生并成长起来的,但这并不意味着中国现代派文学是西方现代派文学的直接复制。中国现代派文学在接受外来影响的同时表现出强劲的主动选择的姿态,在表面追求形式创新的背后还潜藏着深层的意识形态动机。在这个过程中,文学批评走在文学创作前线,对西方现代派在中国的发展起到了至关重要的作用。对于具体到中国对西方现代派文学本土化的接受、消化、传播,至今没有给予足够多的关注。本文用文本细读,勾连社会历史文化的方法,从80年代具有代表性的作家、批评家李陀入手,探索西方现代派文学在中国的重构问题。 Chinese modernist literature came into being and grew up under the direct influence of Western modernism, but this does not mean that Chinese modernist literature is a direct copy of Western modernist literature. Chinese modernist literature, while accepting external influences, has shown a strong proactive attitude and lurks deep ideological motivation behind the pursuit of formal innovation on the surface. In this process, literary criticism is at the frontline of literary creation and plays a crucial role in the development of Western modernism in China. There is not enough attention so far to the acceptance, digestion and spread of the localization of western modernist literature in China. In this paper, we use the methods of text reading and linking with social history and culture to start from the representative writer and critic Li Tuo in the 1980s to explore the reconstruction of Western modernist literature in China.