浅议如何在中国民间舞作品中塑造人物形象

来源 :舞蹈 | 被引量 : 0次 | 上传用户:funwoods
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
中国民间舞蹈作品中艺术形象的塑造不是静止的,是在流动的过程中塑造的。完整的舞蹈艺术形象是在创造与审美的各个环节之间相互运动中形成的。它虽不是某一点或某一范围的单独塑造,但它是对所有塑造表现的一种形象化构建的最终整合。它一般要经由三个塑造点,即编导、演员、观众。编导对人物形象的塑造 The shaping of artistic images in Chinese folk dance works is not static but shaped in the process of flowing. The complete dance art image is formed by the mutual movement between creation and aesthetic. Although it is not a single point or a range of individual shapes, it is the ultimate integration of all the visual constructions of all shapes and forms. It is generally through the three shaping points, that is, director, actor, audience. Director of the image of the characterization
其他文献