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由于我国综合国力的增强,使得民族音乐事业获得了一定的发展和进步。而从音乐美学的角度而言,几乎所有的音乐作品均涵盖了音乐性和非音乐性两部分内容,基于同一情况下实现音乐作品的创作,这其中便包括了交响乐《芬兰颂》。该作品中在音乐性内容方面,涵盖了情绪、风格以及精神象征;而在非音乐性内容方面,则以绘画和文学性两部分内容为主,二者间存有辩证统一的关联性。本文为了深入探讨二者的关系,通过分别阐述《芬兰颂》中的音乐性和非音乐性中的具体包含内容,针对《芬兰颂》中音乐性内容和非音乐性内容之间的辩证关系加以深入分析,以便为相关学者提供有效的启示与帮助,推动我国的音乐事业获得更大的发展。
Due to the enhancement of China’s overall national strength, the cause of national music has gained some progress and progress. From the perspective of musical aesthetics, almost all musical works cover both musicality and non-musicality. Based on the same situation, the creation of musical works includes the Symphony Finnish Ode. In the musical content, the work covers emotions, styles and spiritual symbols. In terms of non-musical content, the two parts of painting and literary are mainly based on dialectical unity. In order to further explore the relationship between the two, by elaborating on the specific content of music and non-music in Finnish Ode to address the dialectical relationship between musical content and non-musical content in Ode to Finnish, Depth analysis in order to provide relevant scholars with effective inspiration and help to promote our music industry to achieve greater development.