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仲夏之夜,当时针已经指向十九时三十分的时候,西天的晚霞仍在泛着迷人的光彩,似乎与音乐厅内的色调构成了一组时空的对接和转换。当重奏组两位演奏家彼得·巴奇拉、肯尼斯·荷齐在音乐厅柔和的光束下演奏出第一首由17世纪英国作曲家蒲赛尔作曲的《g小调恰空舞曲》时,便使人领略到了英国人特有的音乐气质和演奏风格。音乐会前半场由三首重奏曲组成。《g小调恰空舞曲》是一首带有固定低音的变奏曲,创作于1683年
In the midsummer night, when the needle had pointed to 19:30, the glow of the sky in the west still glowed with glamor and seemed to form a set of space-time connections and transformations with the colors in the concert hall. When the two quartets of the ensemble, Peter Bachilla and Kenneth Khodorken, played the first g-churches in the g minor, composed by the 17th-century British composer Beselze under the soft light of the concert hall, It will make people appreciate the unique British temperament and playing style. The first half of the concert consists of three quartets. The g minor Chiapas is a variation of a fixed bass, created in 1683