潘天寿和他的前辈吴昌硕、齐白石、黄宾虹并称为现代四家。作为中国近代绘画史上载理论研究和绘画实践两方面都具有极高造诣的艺术家,他的绘画观念和创作实践密切结合且自成体系,作品源于传统且具有鲜明的风格。在当时中国传统绘画遭受外来文化冲击之时,他始终保持着哲学家的智慧,坚守着中国文化的精神,以唐宋谨严的创作理念,扩展了文人画的表现图式,把画作里的中和之气、雄浑之风,表达了自己独到的美学追求。 Pan Tianshou and his predecessors Wu Changshuo, Qi Baishi, Huang Binhong and called the modern four. As an artist who possesses extremely high attainments in both theoretical research and painting practice in the history of modern Chinese painting, his concepts of painting and writing practice are closely integrated and self-contained. His works derive from the traditional and distinctive style. At that time, when traditional Chinese painting was hit by foreign culture, he always maintained the wisdom of philosophers and insisted on the spirit of Chinese culture. With the cautious creative concept of the Tang and Song dynasties, he extended the expression pattern of the literati painting, And the gas, powerful style, expressed his own unique aesthetic pursuit.