曾以一部《百年孤独》问鼎诺贝尔文学奖、并为二十世纪文学写下了最灿烂篇章的马尔克斯,给文学创作撂了这样一句堪称经典的话语:同每一个词搏斗。 当我读到这句话时,在这七个字面前停留了半天,我感到一种强烈的震撼。由此我更深刻地领会了“文学是语言的艺术”,以及咱们老老前辈关于驴背上的“推敲”典故,和“两句三年得,一吟泪双流”之类的创作谈对语言表现能力的力透纸背的追求。 以完成人物形象塑造为最高任务的小说创作,尚且如此注重“同词搏斗”,作为定位为“词”的歌词创作,恐怕就更应该有一种与词搏斗的意识了。 我是搞戏剧创作的,戏剧由于受时间、空间限制,对台词要求非常严格。世界上凡优秀的剧作家都堪称语言艺术大师,莎士比亚剧作的经典性,尤其表现在 Marquez, who won the Nobel Prize for Literature with a title of “One Hundred Years of Solitude,” and wrote the most brilliant chapter for the 20th century literature, gave such a classic discourse to literary creation: Wrestling with every word. When I read these words, I stayed in front of these seven characters for a long time and I felt a strong shock. From this, I have a deeper understanding of the “literature is the art of language”, as well as our older predecessors on the ass on the “scrutiny” allusions, and “two sentences of three years, The power of performance through the pursuit of paperbacks. In order to complete the creation of characters as the highest task of novel writing, and so pay attention to the ”same word struggle“, as the positioning of ”lyrics" lyrics creation, I am afraid there should be even more a sense of wrestling with the word. I am engaged in drama creation, drama due to time and space constraints, the lines are very strict requirements. All outstanding playwrights in the world are called classic masters of language arts and Shakespearean plays, especially in