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通过对比中国古代绘画和现代绘画,笔者发现,在中国古代绘画中很少有关苦难现实的描绘,尤其是社会底层人民的苦难,而在今天的艺术作品里却是相当的普遍。笔者试着从绘画的历史与功能、画家的思想观念与群体构成以及时代选择和审美意象等几个角度做简要的论述,并试图找出形成这种现象的原因所在。
By comparing ancient Chinese painting with modern painting, the author finds that few depictions of the reality of misery in Chinese ancient paintings, especially the suffering of the people in the bottom of society, are rather common in today’s works of art. The author attempts to make a brief exposition from the angles of the history and function of painting, the ideas and groups of painters, as well as the choices of time and aesthetic images, and tries to find out the reasons for the formation of this phenomenon.