葛亮的《朱雀》巧妙的利用了外来者的视角来寻找南京城的记忆,试图还原城市历史的风貌。但是作为外来者和故事的介入者,在城市文化和文明逐渐衰落的城市中,注定寻找不到他们想象中的南京。本论文分析了葛亮试图还原南京想象的努力和主人公身份隔膜而导致无法融入南京血脉从内容到形式的矛盾与统一。 Ge Liang’s “Suzaku” clever use of the perspective of outsiders to find memories of Nanjing City, trying to restore the style of the city’s history. But as an outsider and storytelling player, in cities where urban culture and civilization are gradually declining, they are doomed to fail to find what Nanjing they imagined. This thesis analyzes the contradiction and unification of Ge Liang’s attempt to restore Nanjing’s imagination and separation of protagonist’s identity from the content to the form that can not be integrated into the Nanjing bloodline.