偏爱散文的原因,是因其不拘韵律,不雕章琢句、铺采摛文,不着意堆砌典故。“一石之嶙,可以为文。一水之波,可以写意。一花之瓣,可以破题。”它的灵活疏放、散漫不拘、见闻感悟,十分契合我们对建筑的理解。散文不似小说,需周全完整的情节,一切有因有果、线索明晰,结尾是个周正的句号。散文不似戏剧,需跌宕起伏的冲突,谋篇布局,抑扬顿挫,处处是大写的问号。散文不似诗歌,需淋漓尽致的情怀,有情有境,结尾是粗重的感叹号。散文则可大可小,可长可短,可急可徐,结尾是个意味深长的省略号。 The reason for the preference for prose is because of its informal rhythms, not carving and zigzagging, paving slang, not deliberately piling up allusions. “The stone of a stone, for the text. A wave of water, can be freehand .A petal, you can break the title. ” It’s flexible, casual, insightful, very fit our understanding of the building. Prose is not like a novel, need a comprehensive and complete plot, all due to fruit, clues clear, the end is a full stop. Prose is not like drama, to be ups and downs of the conflict, seek layout, cadence, everywhere is a capital question mark. Prose is not like poetry, to be vividly emotional, affectionate, ending is a heavy exclamation point. Essays can be more or less, can be long or short, urgent, the end is a meaningful ellipsis.