《考工记》是中国先秦时期的手工艺专著,书中有关于工艺经验的总结,很多方面也可作为指导工艺实践的规范,在中国手工艺研究中有着举足轻重的作用。本文试以结合《考工记》相关思想谈谈自己的木雕创作感受。“天有时,地有气,材有美,工有巧,合此四者为良也。”——《考工记》一、天有时木雕创作依托于材料的运用与表现,材料的使用与天时、地气有关。不同的时节对于木材会产生不同的影响,如对木材的砍伐一般在秋大进行。以前还会预先把待砍树木先圈掉一层树皮,让其自然干燥一年再进行砍伐。由于潮湿的木材容易变形开裂。因此,在木材自然定型后,最好等其自然干燥三年以上再使用, “Kao Gong Ji” is a handicraft monograph in the pre-Qin period in China. There are many conclusions about the craft experience in the book. Many aspects can also be used as guidelines to guide craft practice and play an important role in the study of handicrafts in China. This article tries to combine his “Kao Gong Ji” related thoughts to talk about his own experience of wood carving. “-” Kaogongji "One day, sometimes wood carving rely on the use and performance of materials, materials Use with the weather, to the gas. Different times have different effects on the wood, such as the felling of timber generally carried out in the autumn. In the past, the barks of trees to be cut off should be circled beforehand and allowed to dry naturally for another year before being cut down. Because of damp wood deformation easily cracking. Therefore, the natural setting of wood, it is best to wait for more than three years of natural dry before use,