琦君的《橘子红了》,写的是一个带点淡淡惆怅的旧时代江南农村的家庭生活故事,改编后,变成了一部豪门深宅之中兄弟夺情、妻妾争爱、感情夹着利益曲折繁复的电视连续剧—所有这种变,我是理解并宽容的,而且从电视观众的感官的角度,也实是吸引,好看;甚至从艺术的角度,那表演,那布景,营造的气氛,你也不能说它不够艺术,没有深度。然此剧的诸多改编,最让我不悦的是大老爷与秀禾的感 Qi Jun’s “orange red”, is written with a little melancholy old Jiangnan rural family life story, adapted, became a wealthy house in which brothers seized love, wives concubine love, love folder A series of television series with complicated twists and turns - all such changes, I understand and forgive, and indeed attract and look good from the perspective of the television audience; even from an artistic point of view, Atmosphere, you can not say that it is not art, no depth. However, many adaptations of this play, the most upset I am the sense of Grand Master and show Wo