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我认为,对于20世纪中国美术来说,再造中国形象和重铸东方意象是两个最重要的主题。 第一个主题:再造中国形象。 毫无疑问,再造中国形象是20世纪再造中国的社会革命和改革的形象阐释和表述。而在再造中国的社会实践中,建设一个社会主义的、现代化的新中国是最主要的内容,这意味着,再造中国的形象实践也是在这两个维度上展开和发展的。 与社会主义新中国相一致的形象实践始于延安的木刻艺术,从新中国成立到改革开放之前是它的全面发展时期。1978年之后,它仍以主旋律的名义发展至今,并在许多大型展览中占据主导地位。阐释和表达社会主义新中国的形象体系具有如下特征。一、重视题材的社会学和政治学的意义,尤其重视能创造性地为社会主义的
In my opinion, for Chinese art of the 20th century, rebuilding China’s image and re-orienting the Oriental image are the two most important topics. The first theme: rebuilding China’s image. There is no doubt that rebuilding the image of China is an image interpretation and formulation of the social revolution and reform that rejuvenated China in the 20th century. In the social practice of rebuilding China, building a socialist new China with modernization is the most important content. This means that the image practice of rebuilding China has also started and developed in these two dimensions. The image practice in conformity with the socialist New China began with the woodcut art in Yan’an. From the foundation of New China to the period of reform and opening up, it was its period of overall development. After 1978, it still develops in the name of the main theme and has dominated many large-scale exhibitions. The image system that expounds and expresses the socialist New China has the following characteristics. First, pay attention to the theme of sociology and political science, with particular emphasis on creatively for the socialist