说起Butoh(舞踏),或多或少总会遇见一些绕不过去的名字:Tatsumi Hijikata(土方巽)、Ohno Kazuo(大野一雄)、白虎社、大骆驼舰、山海塾等等。1960年后的日本舞蹈界一反过往追求西化、奉西方舞蹈为圭臬的信念,从自省出发,以小剧场为据点,慢慢找到一种将肢体扭曲、变形而达到原始自然的表演方式。舞踏的新纪元土方巽,这个名字出现在舞踏的开端。二战结束后,战败的日本正处于否定自身价值,尊崇西方标准及美学的阶段。如此没有存在感的状况,让土方巽这个来自北海道的汉子超不爽。纵然,西方达 Speaking of Butoh, more or less always met some nonchalant names: Tatsumi Hijikata (earthworks), Ohno Kazuo (Ichiro Ono), white tiger society, camel ship, mountain school and so on. After 1960, Japanese dance circles, contrary to their previous conviction of pursuing westernization and worshiping western dance, proceeded from introspection to bases of small theater and slowly found a way of acting that distorted and deformed limbs to achieve primitive nature. The new era of dancing earthwork 巽, the name appears in the beginning of dancing. After World War II, the defeated Japan was at a stage of negating its own values ​​and respecting Western standards and aesthetics. So there is no sense of existence, so earth 巽 man from Hokkaido overwhelmed. Even though, West up