论文部分内容阅读
近十年来,我着重于书法中最原始的笔、纸的选择及应用。一部书法史发展的各个阶段,固然有众多的政治以及事件作背景,更多的却因为是时代风尚的烙印与痕迹。而时尚不是空泛的,这烙印与痕迹实际上却是具体的事物与具体的工具。例如明代之前时尚短锋笔,不洇水的纸,而明以后生宣与长锋笔的广泛使用,是书风与前大相径庭的重要原因之一。我们要弄清古人客观实
For the past ten years, I have focused on the selection and application of the most primitive pen and paper in calligraphy. Although the development of a calligraphy history at various stages of development, of course, has a large number of political and events as the background, but more because of the fashion brand marks and traces. The fashion is not empty, this mark and traces are actually specific things and specific tools. For example, before the Ming Dynasty fashion short stroke penniless, non-slippery paper, and after the proclamation of propaganda and long-term use of pen is one of the important reasons for the book style and the former very different. We must understand the ancients objective reality