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新生代电影是目前中国电影理论界较为关注的研究对象之一。杨晓林新著《叛逆.困惑.回归:中国新生代电影比较研究》以比较电影理论为经,以导演及其作品为纬,首次自觉构建“比较电影研究”的学科概念,并将影响研究和平行研究结合、整体把握与个体突出并重,实现建立“比较电影研究”理论体系的可贵尝试。
The new generation movie is currently one of the research subjects that the Chinese movie theorists pay more attention to. “The Rebellion, Puzzled, Returned: A Comparative Study of the Chinese New Generation Films” For the first time, with the comparison of film theory as a guide and the director and his works as the latitude, for the first time, he constructs the subject concept of “comparative cinema research” And parallel research combined with the overall grasp of the same individual and prominence, to establish “Comparative Cinema ” theoretical system valuable attempt.