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汉语新诗已经走过百年历程,阶段性的总结似有必要,毕竟它的现代性之路曲折跌宕,这一过程里还有更多未被发现的“难言之隐”。相对于其他文体,新诗在其无足轻重的位置上备受争议,它不断依附于意识形态又试图挣脱束缚的纠结,其实也从侧面宣告了诗人们的不甘心,不满足,而在美学和政治之间,它还有更多可挖掘的价值。新诗的形式探索与现代性启蒙,一直在“地上”和“地下”交叉进行,直至1980年代,伴随着一轮又一轮的先锋实验,它终于在百年新
Chinese new poetry has gone through a hundred years of history. It is necessary to summarize in stages. After all, the road to its modernity has twists and turns. There are still many undiscovered hidden secrets in this process. Compared with other literary styles, the new poetry is controversial in its insignificant position. It is continually attached to the tangle of ideology and trying to get rid of shackles. In fact, it also announces the unwillingness and dissatisfaction of the poets from the side. However, in aesthetic and political Between, it has more digging value. The exploration of new forms of poetry and the enlightenment of modernity have been cross over between “earth” and “underground” until the 1980s. With a series of rounds of vanguard experiments,