梅兰芳的访美、访苏,使中国戏曲在西方升值。但是,西方戏剧界之所以对中国戏曲刮目相看,根源于他们自身的变革要求。他们想从中国戏曲以及其他东方艺术之中找到一些启发和支持,来推动戏剧的变革和进行多种多样的新创造。这方面的情况很复杂,为了叙述方便,我把它简括为:一条主线,四个热点。 Mei Lanfang's visit to the United States, the Soviet Union, the Chinese opera appreciation in the West. However, the reason why the Western theater industry has its eyes on Chinese operas stems from their own demands for change. They want to find some inspiration and support from Chinese opera and other oriental arts to promote dramatic change and diversify new creations. The situation in this area is very complicated. For the convenience of narration, I simply put it as: one main line and four hot spots.