作为法兰克福学派的创始人之一,阿多诺的哲学以其非同一性著称。这一哲学观也反映在其美学理论上。以现代主义艺术为样本,阿多诺探讨了艺术作为求真的手段如何突破虚假的同一性的外观的观点。揭露同一性掩盖下的矛盾亦即非同一性,这正是阿多诺的艺术救赎理论的基点。 As a founder of the Frankfurt school, Adorno’s philosophy is distinguished by its non-identity. This philosophical view is also reflected in its aesthetic theory. Taking modernist art as a sample, Adorno explores how art, as a means of truth, breaks through the appearance of false identities. To expose the inconsistency under the cover of identity, that is to say, is the basis of Adorno’s theory of artistic salvation.