现代形态的展览制度是从外国人那里学来的。在没有展览之前,中国人欣赏艺术的方式是在私人府邸中的几个人的清赏。中国人经过百年的努力,现在已经成了展览大国,可是,就目前中国艺术类展览的状况来看,我们只能说是数量上的展览大国,并不是质量上的展览强国。能够体现国家文化软实力和为观众传颂的艺术展览,实在是很少。尽管我们不缺一些大型展览,也有一些走出去的展览,然而,实际的效果不仅与投入不相匹配,而且社会影响力不高。这与发达国家的一些大型展览 Modern forms of exhibition system is learned from foreigners. Before there was no exhibition, the way Chinese people appreciated art was the appreciation of a few people in private mansions. After a hundred years of hard work, the Chinese people have now become major exhibition countries. However, judging from the current status of the art exhibitions in China, we can only say that the number of large exhibition countries is not a mass exhibition power. There are really few art exhibitions that reflect the country’s cultural soft power and its audience. Although we do not lack some large-scale exhibitions, we also have some exhibitions going out. However, the actual results are not only incompatible with the investment, but also have low social influence. This is some large exhibitions with developed countries