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小剧场是前卫的标志,先锋实验的地方。艺术家们用新颖的甚至是离经叛道的表现手法和审美观念,凸现自己的艺术个性和设计理念。小剧场话剧《女士们的游戏》的化妆造型以面具作为创作的灵感来源,作为突出造型手段之一,其主要表现在于应用一些被抽象出来的符号或者是一些象征性的漫画式粗线条,勾勒出“面具”化的角色造型特点和“个性”化的人物色彩,来展示三个女性分裂的人格和复杂的内心世界;并从而限定观众的猜想范围,把更多的精力投入到感受戏剧冲突上来。因此,我用面具式的化妆形态,将藏在假面具背后的赤裸裸的灵魂一一呈现,观众耳目一新之余也引起了内心强烈的共鸣,这正体现了“面具”式的化妆造型设计的隐喻价值。
Small theater is avant-garde logo, a pioneer experiment place. The artists show their artistic individuality and design philosophy with novel or even deviant expressions and aesthetic concepts. Small theater drama “Ladies game” make-up modeling to mask as a creative source of inspiration, as one of the prominent modeling tools, its main manifestation is the use of some abstract symbols or some comic-style bold lines, outline “Masquerade ” character modeling features and “personality ” character to show the three women’s split personality and complex inner world; and thus limit the scope of the audience’s guess, to devote more energy to Feel the drama conflict up. Therefore, I use the mask-like make-up style to present the naked souls hidden behind the mask and refresh the inner part of the audience, which reflects the “mask” -like makeup design Metaphor value.