学界就曹植杂曲歌辞的音乐性质问题存在较大分歧,自刘勰《文心雕龙·乐府》云“子建士衡,咸有佳篇;并无诏伶人,故事谢丝管”以来,多数学者认为曹植乐府已不入乐,其杂曲歌辞已经脱离音乐而文学化;持相反意见者则认为曹植乐府并未脱离音乐环境,基本可以入乐。文章通过对刘勰观点重新解析,以及全面考察曹植杂曲歌辞的创作背景、动机和文本特征,从而认定曹植的杂曲歌辞与音乐之关系仍然十分密切,应曾入其藩国之乐演唱,不可将其直接视同脱离音乐而文学化的徒诗、拟辞。 There is a big difference between the academic circles on the musical nature of Cao Zhiqu’s song lyrics. Since Liu Xie’s “Wen Xin Diao Long · Yue Fu” cloud "Zi Jian Shi Heng, Since most scholars think that Cao Zhi Yue Fu is no longer entertained, the lyrics of Quzhe have been separated from music and literature; those who hold the opposite opinion think that Cao Zhi Yue Fu did not break away from the music environment and could basically enter music. Through re-analysis of Liu Xie’s point of view, as well as comprehensively examining the creative background, motivation and textual features of Cao Zhi’s lyricist’s lyrics, the author finds that his relationship with music is still very close, Can not be regarded as literary poems directly from the music, to be resigned.