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“美国专业音乐研究系列”以美国专业音乐理论家与作曲家为研究对象，通过对技术理论以及作品的分析，探讨美国比较有影响的理论家与作曲家的作曲技术理论与作曲技法。本文主要根据有关美国和声理论的论著中最重要的概念及其发展线索写作而成。需要强调的是，本文并不是和声理论家的历史，而只是重要的和声理论家们观念的发展的简述。主旨在于对美国和声理论的发展进行探索与评介，抛砖引玉，让更多的理论工作者对美国和声理论的发展作更深入的研究
The series of American professional music studies the professional music theorists and composers in the United States. Through the analysis of technical theories and works, the American professional music studies series explore the technical theories and compositions of the composers in American influential theorists and composers. This article is based primarily on the most important concepts and their clues for the development of the theory of harmonic theory in the United States. It is important to emphasize that this article is not a chronicle of harmony theorists, but merely an outline of important developments in the concept of harmony theorists. The main purpose is to explore and comment on the development of Harmony Theory in the United States and to give more theoretical workers a deeper study on the development of Harmony Theory in the United States.