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二十世纪90年代,正值国内“新文人画”兴盛之际,朱雅梅带有浓郁探幽访古美学意境的山水作品就曾引起艺术界,尤其是水墨画界的很多关注。其古朴简约的笔法,独特的水墨晕染效果,以及看似轻松随性的画面构成,将自然山水、塔寺廊桥、楼阁庭院、室内户外乃至活动其间的人物,交待得一派古雅天真却又不乏今人的活泼生动。她的水墨语言和画面追求的意韵、情境,显示出一种“似古实今”的新的水墨倾向,即表面看似古意盎然,实则画面构成、笔墨效
In the 1990’s, at the time of the rise of the “New Chinese Literati Paintings,” Zhu Ya-mei’s landscape works with rich aesthetic qualities of visiting ancient Cuba attracted a great deal of attention from the art world, especially the ink painting world. Its simple and simple style of writing, unique ink blooming effect, and seemingly casual with the composition of the screen, the natural landscape, Pagoda Temple Bridge, pavilion courtyard, indoor and outdoor activities and even the characters during the confessed quaint but naive There is no lack of lively and vivid people. Her ink language and the pursuit of meaning of the screen, the situation, showing a kind of “ancient and modern” tendency of the new ink, that is, the surface seems ancient, but the composition of the screen, ink and brush effect