老子是在宇宙发生论的意义上进行宏观探道,微观察世的,他的思想是从宇宙观落实到人生,再落实到政治和伦理,对艺术并不重视,甚至持否定的态度,他说:“五色令人目盲;五音令人耳聋;五味令人口爽;驰骋畋猎,令人心发狂;难得之货,令人行妨。是以圣人为腹不为目,故去彼取此。”(《老子》第十二章)明确主张“绝圣弃智”,“绝巧弃利”,“见素抱朴,少私寡欲,绝学无忧”。(第十九章)对那些凭藉智巧悦人耳目的东西,在老子看来都有碍于澄怀观道,故为圣者所不为。但他却没有预料到,正是他的思想在中国艺术的发展上产生了深远影响,可以说,没有老子哲学思想的启导,就没有中国艺术特有的时空观念、思维方式、审美理想和艺术风范,正是他的宇宙观和认识论为民族艺术创作添生了劲健的双翅,使其得以抟击直上,翱翔于天地环宇之间。“上德不德.是以有德”,“反者道之动”,中国文化的发展与这位力倡相反相成的哲学老人自己开了一个颇耐人寻味的历史玩笑。 Lao-tzu conducted a macro-exploration in the sense of cosmology and observed microscopically at a microscopic level. His thought was implemented from the cosmology to his life, then to politics and ethics, paying no attention to art or even being negative. He said : “The five colors are deaf; the five sounds are deafening; the five flavors are refreshing; the galloping hunting is the craziness; the rare goods are troublesome. Lao Tzu ”Chapter XII) clearly advocated“ absolutely Abandoned ”,“ Jixiqiaoli ”,“ Supi Suo Po, less selfish, never worry. ” (Chapter 19) For those who, with their dexterous delight and earnestness, appear to have hindered Cheng-huang’s view of Tao in Lao-tzu’s way, they are not the saints. However, he did not expect that it was his thought that had a profound impact on the development of Chinese art. It can be said that without the guidance of Lao Tzu’s philosophy, there is no unique concept of time and space, way of thinking, aesthetic ideal and art of Chinese art Demeanor, it is his view of the universe and epistemology for the creation of ethnic art Tim fresh health wings, so that it can be hit straight, soar in the world between the universe. “Morality is not virtuous.” It is an intriguing historical joke opened by the philosophical elders who are opposite in virtue of virtue and anti-imperialism and the development of Chinese culture.