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美术数据库的建设浪潮,是始于1990年后世界各国开始正视国家文化战略制定,以及互联网时代被正式确立后,才得以形成。笔者认为,唯有从这样的角度去理解“美术数据库的春天”这个议题,才能认清其主导根源与核心动力所在,也更具有话题性和讨论意义。从21世纪开始,可移动智能数字设备的普及进一步触发了网际网络多元化应用,几乎对所有行业都掀起了革命性波澜,其中也包括我们对图像的储存及使用方
The wave of the construction of the art database began after the countries of the world began to address the formulation of the national cultural strategy after 1990 and the Internet era was officially established before they were formed. The author believes that only from this point of view to understand the “Spring of Art Database ” this topic, we can clearly recognize its leading source and core motivation, but also more topic-oriented and discussion significance. From the beginning of the 21st century, the popularization of mobile smart digital devices has further triggered the diversification of Internet applications, bringing about revolutionary waves in almost all industries, including the storage and use of images by us