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人的生命历程总是不可避免的交织着悲剧性,一个民族的发展,也不可逃脱的延续和弥漫着悲剧意识。作为人的存在,人类社会总是无法超越历史和命运的法轮,背负苦难,艰苦前行,同时,在这种无法超脱的掘进中,悲剧精神也折射着人类自我完善、自我升华的生命光辉。这种悲剧精神如果照进艺术作品,就会让作品笼罩上悲壮崇高之美的光辉。正如,作为关注粤剧艺人个体命运的戏剧作品,《梦·红船》一剧在粤剧院演员的精彩演绎下,有了向民族悲剧延展的可能性。
The course of human life is always inevitably intertwined with the tragedy, the development of a nation, the inexorable continuation and the awareness of tragedy. As human beings, human society always can not surpass the Falun in history and destiny, and carries with it hardships and painstaking efforts. At the same time, the tragedy spirit also reflects the glorious life of human self-improvement and self-sublimation. If this tragic spirit shines upon the work of art, it will make the work shine upon the glorious beauty of tragedy and lofty beauty. Just as a dramatic work focusing on the individual destiny of a Cantonese opera artist, the drama “Dream Red Ship” has the potential to extend to the national tragedy under the wonderful interpretation of the actors of the Cantonese Opera.