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艺术实践包括了艺术创作和艺术欣赏两个环节,欣赏离不开创作;创作也离不开欣赏。欣赏离开具体的艺术作品,没有欣赏对象,欣赏者的主观能动性无从发挥;创作离开了欣赏,将失去创作的意义,更无从检验作品的成败得失。任何艺术作品的客观效果得以充分显现,既依靠创作者的主观努力,也不能缺少欣赏者的积极配合。只有这两个方面共同发挥能动作用,才能完成对艺术作品的检验。 艺术欣赏是一种积极的心理活动。但这种心理活动,离不开具体的作品 它是紧紧地结合着具体存在的艺术作品所提供的形象而展开的。同时,这种欣赏活动所能达到的深度、或者说所能达到的境界,既是以具体作品所提供的形象的完美程度为基本前提,同时也受着欣赏者的各种主观条件所制约。这里,尝试把艺术欣赏分为三个境界,即悦目、赏心、共鸣,提出一些肤浅的意见。
Art practice includes two aspects of artistic creation and artistic appreciation, appreciation can not be separated from creation; creation can not be separated from appreciation. Appreciate the left of the concrete works of art, no appreciation of the object, the audience’s subjective initiative can not play; creative left appreciation, will lose the meaning of creation, but can not test the success or failure of the work. The objective effects of any artwork can be fully manifested, not only by the creators’ subjective efforts, but also by the active cooperation of the appreciators. Only these two aspects to play a dynamic role in order to complete the test of the work of art. Art appreciation is a positive psychological activity. However, this kind of psychological activity is inseparable from the concrete works which are closely combined with the images provided by the concrete works of existence. At the same time, the depth to which this kind of appreciation activity can reach, or the realm it can attain, is based not only on the perfect premise of the image provided by a specific work but also on the various subjective conditions of the appreciator. Here, we try to divide the artistic appreciation into three realms, that is to say, to appreciate, to resonate and to make some superficial opinions.