山西神池道情舞台美术是中国戏曲舞美中的一朵奇葩,属非物质文化遗产。如今对传统戏曲各种扶植措施,都说明了一个现象,那就是我们要研究本土的、自身的文化形态及美学价值。研究山西神池道情舞台美术,并不是将已拥有的遗产原封保持,或者简单的复制再现,而是力求在传承中创新。期待山西神池道情舞台美术在不失传统文化的同时,又向多样化创新的更高层次发展。作为地方小戏的神池道情如此,其他地域的戏曲艺术亦然。 Shanxi Shenchi Taoist stage art is a wonderful Chinese opera and dance, is an intangible cultural heritage. Nowadays, all kinds of supporting measures for traditional Chinese opera have illustrated the phenomenon that we should study the local culture, its own cultural forms and aesthetic values. Research Shanxi God pool Taoist stage art, is not to have owned the legacy intact, or simply copy and reproduction, but sought to innovate in the heritage. Looking forward to Shanxi God pool Taoist stage without losing the traditional culture at the same time, but also to a higher level of diversity and innovation development. As a local drama God pool true feelings so, other areas of drama art as well.