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自从文史界掀起关于蔡文姬与《胡笳十八拍》的讨论以来,《胡笳十八拍》吸引了更多的人们的注意。象《胡笳十八拍》这样的好诗,能够通过讨论使它在义学史上得到应得的地位,这实在是一件好事。可惜关于它的琴曲却还没有在音乐界引起足够的重视,这是很不公平的。古琴曲《胡笳十八拍》无论就其雄伟的结构或深刻的表现来说,都可以与原诗相媲美。甚至比原诗在民间流传得更广更久些。
Since the literature and history set off a discussion about Cai Wenji and “Eighteen Beauties of Beauties”, Hu Bei Eighteen Beat attracts more people’s attention. It is indeed a good thing that a good poem such as “Hu Bei Pat Beat” can be given due consideration in the history of the study of righteousness through discussion. Unfortunately, the music about it has not been given enough attention in the music industry. This is very unfair. Guqin “Beauties” is comparable to the original poem in terms of its magnificent structure or profound performance. Even spread more widely than the original poem in the folk longer.