冯小刚导演的新作《我不是潘金莲》关注现实,创新使用方圆画幅,通过对李雪莲及各级官员人物群像的塑造,揭露了中国官场存在的问题,思考了荒诞行为背后的原因,完成了对当下社会“方”与“圆”的完美阐释。本文将从情节化的荒诞美学、符号化的镜语表达两个方面来读解影片。 Feng Xiaogang’s new work, “I am not Pan Jinlian,” paid close attention to the reality and creatively used a square frame. Through the creation of Li Xuelian and the image of officials at all levels, it exposed the problems existing in the officialdom in China, considered the reasons behind the absurdity, Social “square ” and “circle ” the perfect explanation. This article will interpret the film from two aspects of plot absurd aesthetics and symbolic rhetoric.