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疯癫一直是倍受作家青睐的文学道具。本文通过对中西古典文学中包含疯癫描写的一些经典文本的阅读,采用形象分析的方法,从表现疯癫的程式、意义、审美情感等各个方面对中西文学中疯癫的呈现进行比较分析。中西文学中对疯癫的呈现有相似之处,但是仍然存在着由不同文化背景而造成的引人注目的差异。中国文学对疯癫的表现重外部特征的模拟,表现方式上以抽象为主,高度程式化,疯癫的形象相对单一,富于现世精神而绝少悲剧性;西方则注重对情感和心灵的追问,表现方式上以移情为主,形象上主要朝“神性”和“兽性”两方面拓展,富于超世精神,饱含悲剧品格。
Madness has always been a popular literature props favored by writers. In this paper, through the reading of some classical texts including the description of madness in Chinese and Western classical literature, this article analyzes the presentations of madness in Chinese and Western literature from the aspects of program, meaning, aesthetic emotion and so on. Chinese and Western literature have similarities in the presentation of madness, but there are still notable differences caused by different cultural backgrounds. Chinese literature on the madness of the performance of the external characteristics of the simulation, the performance of the abstract-based, highly stylized, crazy image is relatively simple, rich in the spirit of the world and less tragic; the West is focused on emotional and spiritual questioning, Emphasis is mainly on empathy, and the image mainly expands toward “divinity” and “bestiality”. It is full of the spirit of transcendence and full of tragic characters.