李善以文学语言注释文学作品自然是对传统经学注释的突破与创新,但更与《文选》的编者萧统重情的情感指向及文本本身的情韵有关。情感因素的介入,在一定程度上为李善的注释披上了一层情感外衣,尤其是《文选.情赋》注,这种因素表现得尤为突出。情感的注入是李善注释《文选》的创新,也是李善注释的重要特点。 Li Shan’s comments on literary language are literary works that are naturally breakthroughs and innovations in the annotations of traditional Confucian classics, but more so on the emotional orientation of Xiao Tong’s heavy affection of the anthology and the emotion of the text itself. The involvement of emotional factors, to a certain extent, put a layer of emotions on Li Shan’s notes, especially the Note on Love and Love. The injection of emotion is the innovation of Li Shan’s annotation of “anthology”, which is also an important feature of Li Shan’s annotation.