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围绕史坦尼斯拉夫斯基遗产问题的论战正在热烈地进行,许多问题还有待解决,但现在已有充分根据可以说,目前展开的创作讲座已经获得了良好的结果:这次讲座发动了我们广大的艺术工作者;活跃了戏剧思想;使苏联戏剧工作者注意到了如何掌握和发展最伟大的舞台巨匠、我们的伟大导师——史坦尼斯拉夫斯基和聶米洛维奇—丹钦柯留给我们的那一宝贵遗产的问题。我想来谈谈在讲座过程中明显地提出来的三个中心问题。第一个问题:整个史坦尼斯拉夫斯基体系和形体动作方法的关系怎样?是像有些人所断定的那样,形体动作方法包含了整个体系呢?还是有什么
The controversy surrounding Stanislavski’s legacy is on the go, and many issues remain to be solved, but it is now well established that the presentations on creation have yielded good results: this seminar mobilized our vast ; Active in the theater of thought; the Soviet theatrical workers have noticed how to master and develop the greatest stage masters, our great mentor - Stanislavsky and Niemi Luoweiqi - Dinkin Kooyu That precious heritage to us. I would like to talk about the three central issues clearly raised during the lecture. The first question: What is the relationship between the entire Stanislavsky system and the body movement method? As some have concluded, the body movement method encompasses the entire system?