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作为“新文人画”的代表画家,王孟奇顺延并强化着传统文人画中的某种因素,率意疏旷的人物形象,纵肆放达的笔墨意味,在今日中国画坛独张一面。在上世纪90年代,王孟奇在古贤高士这一人物画题材上,即创作了以《石为笺》为代表的一系列条屏,笔墨形态畅达散逸。画面上,巨石岩壑,古松新荷,寒梅枯藤,贤者优游其间,或品茗,或把酒,或对弈,或听琴……各种元素在纸张上平面化地散布,无疑强化了形式趣味和视觉冲突;书写性很强的线条既是情绪与感觉的展示,又同样使作品具备了鲜活的表现力。
As the representative painter of “New Literati Painting”, Wang Mengqi defers and strengthens some factors in the traditional literati painting. In the 90s of the last century, Wang Munchi created a series of screen panels represented by “Stone for Jian” on the subject of ancient Gu Xian Gao Shi. On the picture, the rocky gully, the old pine, the dead pine, the sage swimming in the meantime, or tea, or the wine, or chess, or listen to the piano ... ... all kinds of elements on the paper plane spread, undoubtedly strengthened the form Fun and visual conflict; writing lines are both emotional and emotional display, but also make the work with fresh expression.