书法创作虽然涉及诸多因素,但创作心态则是其中最深层次的因素,是制约其它因素的因素。傅山晚年,大约六十八岁以前,在《字训》中对创作心态和作品的关系作了精辟论述。他说:『写字之妙,亦不过一正。然正不是板,不是死,只是古法。且说人手作字,定是左下右高,背面看之皆然,对面不觉。若要左右最平,除非写时令左高右下。如勒横画,信手画去则一,加心要平则不一矣。难说此便是正耶!』将『正』引入书法,早已有之。柳公权著名的『用笔在心,心正则笔正』,是从人品角度讲的。傅山却是将『正』作为最佳创作心态提出问题的。人品和心态固然密切相关,但它们又各有侧重。『加心要平』,则失其正;『信手画去』,则得其正。寥寥数语,对创作心态和作品的关系说了个明白。 Although many factors are involved in calligraphy creation, the creative mentality is the deepest factor and the factor that restricts other factors. In his later years, Fu Shan made a brilliant exposition on the relationship between the creative mentality and his works in the “Word Training” about the age of 68. He said: “The wonderful thing about writing is not a single one. However, not a board, not dead, but the ancient law. And said the manpower for the word, will be lower left and right high, the back of both are natural, opposite do not feel. To the left and right the most flat, unless write seasonal left high right below. Such as Le cross-painting, letter hand-painted to go one, plus heart to rule is not carry on. It is hard to say that this is true! ”The introduction of“ positive ”into calligraphy has long existed. Liu famous right of the “pen in the heart, heart is pen positive” is from the character point of view. Fu Shan posed the question of “positive” as the best creative mentality. Although the character and mentality are closely related, but they have different emphases. If you add your heart to your heart, you lose everything. A few words, said a clear understanding of the creative mentality and the relationship between the works.