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一、“色”与“彩”之说“彩”是“色”的构成形式。“色”的构成要是得法,“彩”相得益彰,就能靓丽无比;要是不得法,则是两败俱伤。画面如果只是单独地追求“色”的选择,而忽视“彩”是“色”的构成关系;或是忽略“技”是“色”构成“彩”的手段,那只能说是无病呻吟的“彩”。笔者从“色”、“彩”词义的角度出发,具体分析漆画之“色”、漆画之“彩”、“色”与“彩”之间的辩证关系,以及“彩”如何通过“技”把“色”浑然为一体,进而探讨中国当代漆画色彩的审美指向。
First, “color ” and “color ” said “color ” is “color ” form. “Color ” If the composition of the law, “color ” complement each other, you can be extremely beautiful; if not law, it is a lose-lose. If the picture only pursues the choice of “color” alone, while ignoring the “color” is the “color” of the composition; or ignore “technology ” is “color ”Means, it can only be said to be moan disease-free “ color ”. From the perspective of the meaning of “color ” and “color ”, the author analyzes the characteristics of lacquer painting, such as color, color, color and color. The dialectical relationship between the painting and the painting, and how the color can be integrated into the color through the technique to explore the aesthetic point of the color of contemporary Chinese painting.