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临摹,在中国绘画艺术的传承和发展进程里有着深刻的价值印记,最早有据可查的临摹记载来自于《魏书·释老志》:“后孝明帝夜梦金人,项有日光,飞行殿庭,乃访群臣,傅毅始以佛对。帝遣郎中祭愔、博士弟子秦景等出使于天竺,写浮屠遗范……情又得佛经《四十二章》及释迦立像。明帝令画工图佛像,置清凉台及显节陵上,经缄于兰台石室。”因中国绘画艺术由生成到发展的传统性和继承性特点,学习前人已
Copy, in the process of the inheritance and development of Chinese painting art has a profound imprint of value, the earliest evidence of copying records from the “Wei Shu old man”: , Flying Temple, is interviewed the ministers, Fu Yi began to Buddhism.Dili expedition Lang sacrifice, Ph.D. disciple Qin Jing out of Tianzhu, to write the monk orphans ... ... Love and the Sutras “forty-second chapter” and Sakyamuni statue. Ming emperor to make painter statues, set Liangxi and Epiphany, by the station in the Lan Tai Shi. "Because of Chinese painting art from generation to development of the traditional and inheritance characteristics, learning predecessors