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阿炳既是《二泉映月》的一度创作者,又是二度创作者行列中的第一人,他对《二泉映月》的演奏,无疑是起到奠基者和先导者的作用。但是《二泉映月》在当今的国内、国际有如此的知名度,这与蒋风之、张锐、项祖英、闵惠芬(特别是闵惠芬)等二胡大师们的二度创作和推广有着一定的联系。同时,它也不乏倾注着我国几代二胡演奏家的集体智慧和结晶。该文通过对《二泉映月》原创版本及音响的分析、对多位大师演奏版本的比较、对相关历史资料的学习和研究提出了自己对《二泉映月》二度创作的认识论与方法论。
Bing was the first creator of “Er Quan Ying Yue” and the first person in the second generation of creators. His performance of Er Quan Ying Yue undoubtedly played the role of the founder and the forerunner. However, “Er Quan Ying Yue” has such popularity both at home and abroad today. It is closely related to the second creation and promotion of Erhu masters such as Jiang Fengzhi, Zhang Rui, Xiang Zuying and Min Huifen (especially Min Huifen). At the same time, there is also a lot of attention devoted to the collective wisdom and crystallization of several generations of erhu performers in our country. Through the analysis of the original edition and sound of “Er Quan Ying Yue”, the article compares the performance editions of masters and puts forward my own epistemology and epistemology of the second creations of “Er Quan Ying Yue” Methodology.