方兴未艾的中国硬笔书法,在中国这块古老而又神奇的大地上红红火火热了二十几个年头。然而,硬笔书法中的隶书究竟表现如何呢?前景又会怎样呢?近来,笔者对上世纪九十年代初至今几次全国性硬笔书法展赛(或作品集)的隶书获奖入展情况作了调查统计,这些数据大体上可以说明上面提出的两个问题。这几次展赛分别为: The ascendant Chinese hard pen calligraphy, booming in China’s ancient and magical land for more than two decades. However, what about the official script in the hard-pen calligraphy? What will happen to the foreground? Recently, I made an introduction to the award-winning progress of the official script calligraphy exhibition (or portfolio) in the early nineties of the last century to the present Survey statistics, these data can generally explain the two issues raised above. These showings are as follows: