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摇滚乐产生于二战后的西方(发端于美国),可以说是现代化、城市化高度发达的一个产物。对于摇滚乐的研究,从西方开始一直都是在文化批评、后现代主义思潮等上面做文章,但却忽略了这个群体与他们生存空间和文化载体的关系,然而这种关系其实就是他们与城市与社会整体的发展的关系,城市在社会环境中的变化,往往能在这个群体中得到反映。本文是在理论层面和主观认知上的解构,从都市人类学的角度去观察,城市(北京)为何能生成摇滚,在摇滚的话语中又是如何反映这个城市与社会的变迁。
Rock music produced in the West after World War II (originated in the United States), can be said that modernization, urbanization is highly developed as a product. For the study of rock music, from the West, it has always been in the cultural criticism, postmodernism, etc. to make an issue, but neglected the relationship between this group and their living space and cultural carrier, but this relationship is actually their relationship with the city and The relationship between the development of the whole society and the changes of the cities in the social environment can often be reflected in this group. This dissertation is based on theoretical and subjective cognitive deconstruction. From the perspective of urban anthropology, why can the city (Beijing) generate rock and how it reflects the urban and social changes in rock discourse.