从远古石器时代,人们就开始把鹿的形象线描化,并开始作为一种纹样或是图腾出现在壁画、陶器及玉器上。随着时代的更替,丝绸工艺的发展,在丝织品上也越来越多出现鹿的身影,然而各个时期由于政治、经济、文化的差异,也导致了艺术审美上的区别,印记在丝织品中鹿纹样也存在差异和联系。 From the ancient Stone Age, people started to delineate the deer’s lines and began to appear on murals, pottery and jade as patterns or totems. With the change of times, the development of silk craft, there are more and more deer in the silk figure, however, because of the difference of politics, economy and culture in each period, it also leads to the difference of artistic aesthetics, imprinted in the silk deer There are also differences and contact patterns.